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Originally Posted by moundraised23
good lord.............how can u not relate tothis %$$* bruh
boobie miles vid is
*Official BIG K.R.I.T.***New Album***:: "KRIT IZ HERE" OUT JULY 12 2019!! "KRIT HERE" OUT NOW!!!
- Thread in 'Music' Thread starter Started by ace rawstein,
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Originally Posted by moundraised23
good lord.............how can u not relate tothis %$$* bruh
boobie miles vid is
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That "Boobie Miles" video
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That "Boobie Miles" video
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The last 20 seconds of 1986 was wasted, that part should be a full song. What is that sample btw?
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The last 20 seconds of 1986 was wasted, that part should be a full song. What is that sample btw?
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^bobby womack if im not mistaken
i remember paul and juice used it for pat's "u know the business"
i remember paul and juice used it for pat's "u know the business"
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^bobby womack if im not mistaken
i remember paul and juice used it for pat's "u know the business"
i remember paul and juice used it for pat's "u know the business"
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my man
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my man
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Pretty good read about Def Jam mishandling BIG K.R.I.T. (And artist mishandling in general.)
http://www.refinedhype.co...table-artistic-burn-out/
I'm just gonna go right ahead and say it: Def Jam doesn't know what the +%#@ they're doing.
A few days ago Big KRIT released his 9th mixtape and 2nd official post-"KRIT Wuz Here" project, "4eva N A Day". While the majority of fans around the world rejoiced at the fact that once again KRIT was releasing a full body of music for free, I couldn't help but wonder why he was giving away another "mixtape" for the second year in a row since signing to a major label.
For most unsigned artists free music releases are the only feasible option. With so many aspiring musicians clamoring for space on the Internet, a free album and a solid plan of action are essential in the attempt to catch the attention of the public. And more often than not, even with an effective strategy and great music to back it up, most artists disappear underneath the next wave of talent eagerly pushing their way through the digital fog with an equally great sound and similar packaging. The world of online music is literally a giant turbine pulling up the new and pushing down the old. In a matter of days your project can go from "album of the year" to an insignificant folder of mp3's linked to a long forgotten blog page left to collect dust for eternity. That album that you were sure was going to propel you to superstardom was just another link, downloaded and deleted a few days later to make room for the next batch of artists destined to travel along the same exact path.
There are a few artists, however, that manage to maintain a presence amongst the onslaught of new music hitting the Internet on a daily basis. Big KRIT is one of the few MC's that did it and he deserving landed himself a deal with the most storied label in the history of Hip Hop music; Def Jam Recordings. To say that this is an accomplishment in itself is an understatement. For an artist like KRIT, authentic and refreshingly original, to receive the approval of a label as reputable and appreciated as Def Jam is nothing short of a massive victory. When you consider that we’re in an age where 1000+ downloads of an album is considered a success, to draw in tens, possibly even hundreds of thousands of downloads and a major deal from a single mixtape is basically the modern day equivalent of going platinum.
So when I heard that “4eva N A Day
http://www.refinedhype.co...table-artistic-burn-out/
I'm just gonna go right ahead and say it: Def Jam doesn't know what the +%#@ they're doing.
A few days ago Big KRIT released his 9th mixtape and 2nd official post-"KRIT Wuz Here" project, "4eva N A Day". While the majority of fans around the world rejoiced at the fact that once again KRIT was releasing a full body of music for free, I couldn't help but wonder why he was giving away another "mixtape" for the second year in a row since signing to a major label.
For most unsigned artists free music releases are the only feasible option. With so many aspiring musicians clamoring for space on the Internet, a free album and a solid plan of action are essential in the attempt to catch the attention of the public. And more often than not, even with an effective strategy and great music to back it up, most artists disappear underneath the next wave of talent eagerly pushing their way through the digital fog with an equally great sound and similar packaging. The world of online music is literally a giant turbine pulling up the new and pushing down the old. In a matter of days your project can go from "album of the year" to an insignificant folder of mp3's linked to a long forgotten blog page left to collect dust for eternity. That album that you were sure was going to propel you to superstardom was just another link, downloaded and deleted a few days later to make room for the next batch of artists destined to travel along the same exact path.
There are a few artists, however, that manage to maintain a presence amongst the onslaught of new music hitting the Internet on a daily basis. Big KRIT is one of the few MC's that did it and he deserving landed himself a deal with the most storied label in the history of Hip Hop music; Def Jam Recordings. To say that this is an accomplishment in itself is an understatement. For an artist like KRIT, authentic and refreshingly original, to receive the approval of a label as reputable and appreciated as Def Jam is nothing short of a massive victory. When you consider that we’re in an age where 1000+ downloads of an album is considered a success, to draw in tens, possibly even hundreds of thousands of downloads and a major deal from a single mixtape is basically the modern day equivalent of going platinum.
So when I heard that “4eva N A Day
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Pretty good read about Def Jam mishandling BIG K.R.I.T. (And artist mishandling in general.)
http://www.refinedhype.co...table-artistic-burn-out/
I'm just gonna go right ahead and say it: Def Jam doesn't know what the +%#@ they're doing.
A few days ago Big KRIT released his 9th mixtape and 2nd official post-"KRIT Wuz Here" project, "4eva N A Day". While the majority of fans around the world rejoiced at the fact that once again KRIT was releasing a full body of music for free, I couldn't help but wonder why he was giving away another "mixtape" for the second year in a row since signing to a major label.
For most unsigned artists free music releases are the only feasible option. With so many aspiring musicians clamoring for space on the Internet, a free album and a solid plan of action are essential in the attempt to catch the attention of the public. And more often than not, even with an effective strategy and great music to back it up, most artists disappear underneath the next wave of talent eagerly pushing their way through the digital fog with an equally great sound and similar packaging. The world of online music is literally a giant turbine pulling up the new and pushing down the old. In a matter of days your project can go from "album of the year" to an insignificant folder of mp3's linked to a long forgotten blog page left to collect dust for eternity. That album that you were sure was going to propel you to superstardom was just another link, downloaded and deleted a few days later to make room for the next batch of artists destined to travel along the same exact path.
There are a few artists, however, that manage to maintain a presence amongst the onslaught of new music hitting the Internet on a daily basis. Big KRIT is one of the few MC's that did it and he deserving landed himself a deal with the most storied label in the history of Hip Hop music; Def Jam Recordings. To say that this is an accomplishment in itself is an understatement. For an artist like KRIT, authentic and refreshingly original, to receive the approval of a label as reputable and appreciated as Def Jam is nothing short of a massive victory. When you consider that we’re in an age where 1000+ downloads of an album is considered a success, to draw in tens, possibly even hundreds of thousands of downloads and a major deal from a single mixtape is basically the modern day equivalent of going platinum.
So when I heard that “4eva N A Day
http://www.refinedhype.co...table-artistic-burn-out/
I'm just gonna go right ahead and say it: Def Jam doesn't know what the +%#@ they're doing.
A few days ago Big KRIT released his 9th mixtape and 2nd official post-"KRIT Wuz Here" project, "4eva N A Day". While the majority of fans around the world rejoiced at the fact that once again KRIT was releasing a full body of music for free, I couldn't help but wonder why he was giving away another "mixtape" for the second year in a row since signing to a major label.
For most unsigned artists free music releases are the only feasible option. With so many aspiring musicians clamoring for space on the Internet, a free album and a solid plan of action are essential in the attempt to catch the attention of the public. And more often than not, even with an effective strategy and great music to back it up, most artists disappear underneath the next wave of talent eagerly pushing their way through the digital fog with an equally great sound and similar packaging. The world of online music is literally a giant turbine pulling up the new and pushing down the old. In a matter of days your project can go from "album of the year" to an insignificant folder of mp3's linked to a long forgotten blog page left to collect dust for eternity. That album that you were sure was going to propel you to superstardom was just another link, downloaded and deleted a few days later to make room for the next batch of artists destined to travel along the same exact path.
There are a few artists, however, that manage to maintain a presence amongst the onslaught of new music hitting the Internet on a daily basis. Big KRIT is one of the few MC's that did it and he deserving landed himself a deal with the most storied label in the history of Hip Hop music; Def Jam Recordings. To say that this is an accomplishment in itself is an understatement. For an artist like KRIT, authentic and refreshingly original, to receive the approval of a label as reputable and appreciated as Def Jam is nothing short of a massive victory. When you consider that we’re in an age where 1000+ downloads of an album is considered a success, to draw in tens, possibly even hundreds of thousands of downloads and a major deal from a single mixtape is basically the modern day equivalent of going platinum.
So when I heard that “4eva N A Day
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boobie miles is a damn good track ... i hate music execs ...
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boobie miles is a damn good track ... i hate music execs ...
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I agree with the J.Cole thought in that written piece.
hope Krit doesnt suffer the same fate...
then again, just cause music is released for free via mixtape, doesnt make it "worth" any less. Cause at the end of the DAy, the artist Cole/Krit are still the creators of the music that was givin away.
hope Krit doesnt suffer the same fate...
then again, just cause music is released for free via mixtape, doesnt make it "worth" any less. Cause at the end of the DAy, the artist Cole/Krit are still the creators of the music that was givin away.
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I agree with the J.Cole thought in that written piece.
hope Krit doesnt suffer the same fate...
then again, just cause music is released for free via mixtape, doesnt make it "worth" any less. Cause at the end of the DAy, the artist Cole/Krit are still the creators of the music that was givin away.
hope Krit doesnt suffer the same fate...
then again, just cause music is released for free via mixtape, doesnt make it "worth" any less. Cause at the end of the DAy, the artist Cole/Krit are still the creators of the music that was givin away.
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Some of that he was right about some of it he wasnt. He passes stuff on that he has heard as if it were fact. KRIT was no were ready to release a debut album with return of 4eva. I feel like Cole still hadnt put out his best work with FNL but he does have a point with Sideline Story even tho it meet my expectations for the most part.
What he fails to mention is how producer/ rappers like Krit and Cole put together alot of music that is sample heavy and that plays a factor in what records they can and cant use for retail.
what i am mainly fearful about is KRIT losing some of the shine he has with the beats on the debut album cuz def jam wont be handing him a blank check to sample like crazy.
4evaday and the last two free albums are filled with samples. KRIT has spoke on this on numerous occasions so i think he is spending alotta of time tryin to craft the same quality sound without as many samples.
What he fails to mention is how producer/ rappers like Krit and Cole put together alot of music that is sample heavy and that plays a factor in what records they can and cant use for retail.
what i am mainly fearful about is KRIT losing some of the shine he has with the beats on the debut album cuz def jam wont be handing him a blank check to sample like crazy.
4evaday and the last two free albums are filled with samples. KRIT has spoke on this on numerous occasions so i think he is spending alotta of time tryin to craft the same quality sound without as many samples.
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Some of that he was right about some of it he wasnt. He passes stuff on that he has heard as if it were fact. KRIT was no were ready to release a debut album with return of 4eva. I feel like Cole still hadnt put out his best work with FNL but he does have a point with Sideline Story even tho it meet my expectations for the most part.
What he fails to mention is how producer/ rappers like Krit and Cole put together alot of music that is sample heavy and that plays a factor in what records they can and cant use for retail.
what i am mainly fearful about is KRIT losing some of the shine he has with the beats on the debut album cuz def jam wont be handing him a blank check to sample like crazy.
4evaday and the last two free albums are filled with samples. KRIT has spoke on this on numerous occasions so i think he is spending alotta of time tryin to craft the same quality sound without as many samples.
What he fails to mention is how producer/ rappers like Krit and Cole put together alot of music that is sample heavy and that plays a factor in what records they can and cant use for retail.
what i am mainly fearful about is KRIT losing some of the shine he has with the beats on the debut album cuz def jam wont be handing him a blank check to sample like crazy.
4evaday and the last two free albums are filled with samples. KRIT has spoke on this on numerous occasions so i think he is spending alotta of time tryin to craft the same quality sound without as many samples.
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I think this is my favorite project from K.R.I.T. so far.
I'm a big fan of this guy. He has not disappointed yet...
I'm a big fan of this guy. He has not disappointed yet...
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I think this is my favorite project from K.R.I.T. so far.
I'm a big fan of this guy. He has not disappointed yet...
I'm a big fan of this guy. He has not disappointed yet...
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Originally Posted by Young Handsome
Sitting at home zoning out to Big K.R.I.T.'s discography, I was thinking about how a collection of his songs would make one of the greatest albums ever. Here goes...
1. Wake Up (Perfect intro. Great way to start your day.)
2. Money On The Floor (2 CHAINZ!!!)
3. R4 theme song (Don't be no lame ##@$*)
4. Neva Go Back (This song)
5. Package Store
6.Rotation/My Sub (R.I.P. subs)
7. Boobie Miles
8. Made Alot
9. Moon & Stars
10. Somedayz (One of my favs.)
11. Hometown Hero (Great for people who wants to know who Boobie is)
12. Temptation
13. Dreamin'
14. Highs & Lows
15. Me & My Old School
16. The Vent
17. 4evaNaDay Theme
Come at me bros
It's funny because his catalog is so thorough thus far that I think everyone will have a different list. I'm not sure exactly how mine would look yet, but these songs would definitely be on there:
Country Sh!! (Remix)
Just Touched Down
4EvaNaDay Theme
Me And My Old School
Handwriting
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Originally Posted by Young Handsome
Sitting at home zoning out to Big K.R.I.T.'s discography, I was thinking about how a collection of his songs would make one of the greatest albums ever. Here goes...
1. Wake Up (Perfect intro. Great way to start your day.)
2. Money On The Floor (2 CHAINZ!!!)
3. R4 theme song (Don't be no lame ##@$*)
4. Neva Go Back (This song)
5. Package Store
6.Rotation/My Sub (R.I.P. subs)
7. Boobie Miles
8. Made Alot
9. Moon & Stars
10. Somedayz (One of my favs.)
11. Hometown Hero (Great for people who wants to know who Boobie is)
12. Temptation
13. Dreamin'
14. Highs & Lows
15. Me & My Old School
16. The Vent
17. 4evaNaDay Theme
Come at me bros
It's funny because his catalog is so thorough thus far that I think everyone will have a different list. I'm not sure exactly how mine would look yet, but these songs would definitely be on there:
Country Sh!! (Remix)
Just Touched Down
4EvaNaDay Theme
Me And My Old School
Handwriting
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Dam labels looking for gimmicks...... Cole and krit just real *** regular dudes with alot of talent....I really want krit to blow and get the respect he deserves.... Without sellin out
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Dam labels looking for gimmicks...... Cole and krit just real *** regular dudes with alot of talent....I really want krit to blow and get the respect he deserves.... Without sellin out
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Good read. They doin' Cole dirty
I hope that doesn't happen to K.R.I.T. but I feel like it will. The expectations for his album will be too damb high and people will say it never lived up to the hype...
#coldworld
I hope that doesn't happen to K.R.I.T. but I feel like it will. The expectations for his album will be too damb high and people will say it never lived up to the hype...
#coldworld
