Read this joint without the beat and flow. Every bar had relevance to Meek, the track, or the real life situation. Full of double and triple entendres. You can't tell me these tracks are even in the same stratosphere.
Back to back for the ****** that didn't get the message
Back to back like I'm on the cover of Lethal Weapon
Back to back like I'm Jordan '96, '97
Whoa, very important and very pretentious
When I look back I might be mad that I gave this attention
Yeah, but it's weighin' heavy on my conscience
Yeah, and ****, you left The Boy no options
I wanna see my ****** go insane
You gon' make me step out of my ******' frame
You gon' make me buy bottles for Charlamagne
You gon' make me go out of my ******' way
I waited four days, *****, where y'all at?
I drove here in the Wraith playin' AR-AB
I'm not sure what it was that really made y'all mad
But I guess this is what I gotta do to make y'all rap
I mean woah, can't fool the city, man, they know what's up
Second floor at Tootsies, gettin' shoulder rubs
This for y'all to think that I don't write enough
They just mad cause I got the midas touch
You love her, then you gotta give the world to her
Is that a world tour or your girl's tour?
I know that you gotta be a thug for her
This ain't what she meant when she told you to open up more
If you don't get the references, look them up lol.
But I guess since he speaking on real life instead of threatening to slap Meek's mom its not good Edited by ShimmyHendrix - 8/6/15 at 11:41am