Would you entertain a Juelz comeback?

Dropped this, got a feature with Chris Brown, another wit thug :smile:rolleyes) but either way all his studio vids seem to actually be ending up with music
 
Haven't listened to all these new Juelz songs, but he's like 3/4 from what I have heard
 
that santana bandanna 
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Santana bandana [emoji]128293[/emoji] [emoji]128293[/emoji]:smokin

Got my attention elz.
 
Santana is like outdated right now, he going have to change his style and make great hits with dudes like 808 Mafia/Metro Boomin...its not the same for NY music period...so thats why i said he's done, nobody going to listen to him unless his music sound like south music like "All The Way Up" type of singles
 
^Juelz attempt at "sounding updated" produced one of the most embarrassing mixtapes of that year. 3/4 of his last songs have been very good, needs to just stick to that. Rapping with his peers and younger dudes influenced by them over production that fits >>> using everybody else's producers and having Uzi ruin your tracks
 
^Juelz attempt at "sounding updated" produced one of the most embarrassing mixtapes of that year. 3/4 of his last songs have been very good, needs to just stick to that. Rapping with his peers and younger dudes influenced by them over production that fits >>> using everybody else's producers and having Uzi ruin your tracks

oh i'm not talking about his features or even his hooks, but i'm saying the beats have to slap man, not them boring NY beats wont do it today and Uzi? nah i don't listen to that dude, everything about dude to me is annoying, i'm just talking about the hard production
 
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so that beat/hook and 808 didnt sound like some **** an ATL ***** would make

Naw you buggin. Maybe the hook might sound somewhat ATL but that beat definitely sounds more like some 90's/2000's NY joint which is the ONLY reason why I liked it.

If it sounded like all this new ATL/down south crap on the radio, i definitely wouldn't be messing with it.
 
Naw you buggin. Maybe the hook might sound somewhat ATL but that beat definitely sounds more like some 90's/2000's NY joint which is the ONLY reason why I liked it.

If it sounded like all this new ATL/down south crap on the radio, i definitely wouldn't be messing with it.

I don't like everything down south and I'm from Louisiana... I don't jam 21 savage and all them new dudes...but calling most of out music crap is disrespectful... NY biggest tracks last year was All the way up which was a south track and Ooouuu ...that beat sounded NY and was dope but it was corny to me....NY **** been corny for a minute..even Joe said y'all better switch that **** up and go south paw and he did with all the way up...Santana got to make hits if he wants to be relevant again...bangers coming from everybody right now, just make something dope song by song
 
I don't like everything down south and I'm from Louisiana... I don't jam 21 savage and all them new dudes...but calling most of out music crap is disrespectful... NY biggest tracks last year was All the way up which was a south track and Ooouuu ...that beat sounded NY and was dope but it was corny to me....NY **** been corny for a minute..even Joe said y'all better switch that **** up and go south paw and he did with all the way up...Santana got to make hits if he wants to be relevant again...bangers coming from everybody right now, just make something dope song by song

Oh don't get it twisted. South got some heat...i just meant majority of the stuff on the radio, imo, is crap.

I still don't see All the Way Up sounding like a southern track though. Like i said earlier, the horns and everything sounds more like a 90's/2000's NY track. The hook might be the only thing that sounds somewhat south to me. Joe himself even said the beat reminded him of T.R.O.Y by Pete Rock and CL Smooth.

EDIT: Cool, from Cool and Dre said this:

"All the Way Up" is anchored by a simple horn squiggle and a thunderous programmed beat. Horns are rare on rap radio these days, and that appealed to Cool and Dre. "It's a distinctive sound," Cool tells RS. "It breaks through. The horns brought you to that Nineties hip-hop era," he continues, before singing the distinctive brass line from Pete Rock and CL Smooth's 1992 classic "T.R.O.Y."

Anyway, Juelz just need to do what Joe does and make a hot record. Don't try to sound like what's poppin now. I don't wanna hear Juelz over no Migos type track.
 
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"All the way up" sounds like a south record ?

Damn son I've heard it all.

it doesn't, but it has sensibilities that da south can understand.

"make it rain" in retrospect doesn't sound like a south record either...its a way NYC can keep its characteristics and still be played outside da tristate market.
 
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