🦉The Official Drake Thread6️⃣ - Scary Hours 3 11.17.23

[antidope]

Practice was fire though.


This threads gonna be in shambles in four hours. Then again in eight hours.

 

[MVP]

Practice was fire though.


This threads gonna be in shambles in four hours. Then again in eight hours.

Anti going to dope

 

[fousey]

Wait so you can only stream on Apple Music tonight? Not purchase through iTunes...?

I miss the days when they wanted us to buy their **** to see how many records would sell. And not have the sales allocated off of these streams which most people find a way to get illegally anyway.

 

[oddandtwisted]

so 9pm pacific the album will be on apple music?? ima be at work whe  they stream it fml

 

[a blinkin]

Practice was appreciated for what it was. College girls at the time, who probably didn't get their twerking in when BDAU because they were too young, were given the opportunity to unleash their inner thot at house parties. Sonically it wasn't all that, but I can't knock what it did for the culture.

 

[Arthur Shelby]

 

[Gordonson]

I'm over listening to albums on the OVO Radio streams because the censorship makes the first listen experience lame in my opinion.

Mostly just going to tune in for the Zane Lowe interview and then wait for the album to be out in a consumable form.

 

[MVP]

Practice was appreciated for what it was. College girls at the time, who probably didn't get their twerking in when BDAU because they were too young, were given the opportunity to unleash their inner thot at house parties. Sonically it wasn't all that, but I can't knock what it did for the culture.

Man Aubrey straight up ruined an anthem.

 

[nightruans]

I'm over listening to albums on the OVO Radio streams because the censorship makes the first listen experience lame in my opinion. Mostly just going to tune in for the Zane Lowe interview and then wait for the album to be out in a consumable form.

confirmed it will be censored????

 

[Maximus Meridius]

Practice was fire though.


This threads gonna be in shambles in four hours. Then again in eight hours.

Anti going to dope

Anti claims R&B is trash but he loves any and every Drake song. The most backwards **** ever.

Practice was appreciated for what it was. College girls at the time, who probably didn't get their twerking in when BDAU because they were too young, were given the opportunity to unleash their inner thot at house parties. Sonically it wasn't all that, but I can't knock what it did for the culture.

I don't know about all that. Girls clap their cheeks to alot of songs. That song ain't do nothing for the culture.

 

[thatmartiankid]

About to start my free 3-month trial with apple. 

 

[delete1234]

Aye practice was fire tho idc

 

[oddandtwisted]

 
About to start my free 3-month trial with apple. 

same

 

[Narcissist]

Wait so you can only stream on Apple Music tonight? Not purchase through iTunes...?

I miss the days when they wanted us to buy their **** to see how many records would sell. And not have the sales allocated off of these streams which most people find a way to get illegally anyway.

I believe at midnight it's available via iTunes

 

[nawghtyhare]

Can't find anything for either of the Oakland shows fml

Where you looking, and how many seats you need, Im still able to access seats

but club seats are impossible smh thats all I wanted

I need Oakland seat

 

[$tacy]

3. U With Me? Artist: Drake
ISRC: US-CM5-16-00066 Work Title: U With Me?
Preliminary Publisher Information:
0:04:57
Resource Type: Explicit:
Audio Edited
Stereo Rap English
Sandra Gale/EMI Music Publishing (GMR), Mavor & Moses Inc. / Kobalt (ASCAP), PLEASE GIMME MY PUBLISHING/EMI BLACKWOOD MUSIC INC. (BMI), Dahi Productions/SonyATV Sonata (SESAC), R.Riera Music/WB Music Corp. (ASCAP), el Morgan Music/Warner-Tamerlane Publishing Corp. (BMI), Vinylz Music Group / Sony ATV (ASCAP), Party OMO ltd./Warner Chappell, (DAHI), (RIERA), (FOLIE), (OZ), (GOODE), Boomer X Pub./Universal Music Corp (ASCAP), WB Music Corp. (ASCAP) EMI April Music Inc. (ASCAP) obo itself and Dead Game Publishing, Urgan Warfare Music, North Avenue Music and Da Ish Entertainment, BMG Gold songs obo Cuts Of Reach (ASCAP), Pent One (ASCAP)
Written by A. Graham
Written by N. Shebib
Written by K. West
Written by D. Natche
Written by R. Riera
Written by A. Morgan
Written by J. Brathwaite
Written by A. Hernandez Written by O. Yildirim
Written by D. Goode
Written by Mark Andrews Written by Tamir Ruffin
Written by Earl Simmons Written by Phillip Weatherspoon Written by Anthony Fields
Sample Credits:
Contains interpolations from “How’s it Goin Down” written by Earl Simmons and Anthony Fields and published by Boomer X Pub./Universal Music Corp (ASCAP), WB Music Corp. (ASCAP) Dead Game Publishing (ASCAP), Pent One (ASCAP). Used by permission. All rights reserved. Contains samples from “What These ****es Want” written by Mark Andrews, Tamir Ruffin, Earl Simmons, Phillip Weatherspoon published by Boomer X Pub./Universal Music Corp (ASCAP), WB Music Corp. (ASCAP) EMI April Music Inc. (ASCAP) obo itself and Dead Game Publishing, Urgan Warfare Music, North Avenue Music and Da Ish Entertainment, BMG Gold songs obo Cuts Of Reach (ASCAP) Used by permission. All rights reserved. “U With Me?” contains samples from “What These ****es Want” performed by DMX courtesy of Def Jam recordings by arrangement with Universal Music Enterprises.
Produced by Noah "40" Shebib for Evdon Music Inc.
Recorded by Noah "40" Shebib for Evdon Music Inc, at S.O.T.A. Studios, Toronto ON, Sandra Gale Studio, Yolo Estate, CA Recorded by Noel Cadastre for Evdon Music Inc, at S.O.T.A. Studios, Toronto ON, Sandra Gale Studio, Yolo Estate, CA Assistant Recording Engineer: Greg Moffett
Assistant Recording Engineer: Harley Arsenault
Assistant Mixer: Lindsay Warner
All Instruments: N. Shebib
Co-Produced by DJ Dahi
Co-Produced by Ricci Riera
Arranged by N. Shebib
Produced by Kanye West
Co-Produced by Axlfoliethc
Additional production by Vinylz
Additional production by OZ
Additional Keyboards: Dalton Tennant
Additional Bass: Greg Moffett
Additional Background Vocals: Divine Brown

Jesus Christ another classic ruined. Dude turned one of the most ratchet, shake that *** ***** songs into a love song. **** was so disrespectful, that moment I lost all respect for juvie. Then he goes back to birdman, son obviously desperate.

 

[301216baller]

This guy Drake is mad disrespectful smh turning hood summer anthems into love ballads smh

 

[nawghtyhare]

3. U With Me? Artist: Drake
ISRC: US-CM5-16-00066 Work Title: U With Me?
Preliminary Publisher Information:
0:04:57
Resource Type: Explicit:
Audio Edited
Stereo Rap English
Sandra Gale/EMI Music Publishing (GMR), Mavor & Moses Inc. / Kobalt (ASCAP), PLEASE GIMME MY PUBLISHING/EMI BLACKWOOD MUSIC INC. (BMI), Dahi Productions/SonyATV Sonata (SESAC), R.Riera Music/WB Music Corp. (ASCAP), el Morgan Music/Warner-Tamerlane Publishing Corp. (BMI), Vinylz Music Group / Sony ATV (ASCAP), Party OMO ltd./Warner Chappell, (DAHI), (RIERA), (FOLIE), (OZ), (GOODE), Boomer X Pub./Universal Music Corp (ASCAP), WB Music Corp. (ASCAP) EMI April Music Inc. (ASCAP) obo itself and Dead Game Publishing, Urgan Warfare Music, North Avenue Music and Da Ish Entertainment, BMG Gold songs obo Cuts Of Reach (ASCAP), Pent One (ASCAP)
Written by A. Graham
Written by N. Shebib
Written by K. West
Written by D. Natche
Written by R. Riera
Written by A. Morgan
Written by J. Brathwaite
Written by A. Hernandez Written by O. Yildirim
Written by D. Goode
Written by Mark Andrews Written by Tamir Ruffin
Written by Earl Simmons Written by Phillip Weatherspoon Written by Anthony Fields
Sample Credits:
Contains interpolations from “How’s it Goin Down” written by Earl Simmons and Anthony Fields and published by Boomer X Pub./Universal Music Corp (ASCAP), WB Music Corp. (ASCAP) Dead Game Publishing (ASCAP), Pent One (ASCAP). Used by permission. All rights reserved. Contains samples from “What These ****es Want” written by Mark Andrews, Tamir Ruffin, Earl Simmons, Phillip Weatherspoon published by Boomer X Pub./Universal Music Corp (ASCAP), WB Music Corp. (ASCAP) EMI April Music Inc. (ASCAP) obo itself and Dead Game Publishing, Urgan Warfare Music, North Avenue Music and Da Ish Entertainment, BMG Gold songs obo Cuts Of Reach (ASCAP) Used by permission. All rights reserved. “U With Me?” contains samples from “What These ****es Want” performed by DMX courtesy of Def Jam recordings by arrangement with Universal Music Enterprises.
Produced by Noah "40" Shebib for Evdon Music Inc.
Recorded by Noah "40" Shebib for Evdon Music Inc, at S.O.T.A. Studios, Toronto ON, Sandra Gale Studio, Yolo Estate, CA Recorded by Noel Cadastre for Evdon Music Inc, at S.O.T.A. Studios, Toronto ON, Sandra Gale Studio, Yolo Estate, CA Assistant Recording Engineer: Greg Moffett
Assistant Recording Engineer: Harley Arsenault
Assistant Mixer: Lindsay Warner
All Instruments: N. Shebib
Co-Produced by DJ Dahi
Co-Produced by Ricci Riera
Arranged by N. Shebib
Produced by Kanye West
Co-Produced by Axlfoliethc
Additional production by Vinylz
Additional production by OZ
Additional Keyboards: Dalton Tennant
Additional Bass: Greg Moffett
Additional Background Vocals: Divine Brown

Jesus Christ another classic ruined. Dude turned one of the most ratchet, shake that *** ***** songs into a love song. **** was so disrespectful, that moment I lost all respect for juvie. Then he goes back to birdman, son obviously desperate.

U know damn well juvie had no say so on the matter
Damn near surprised I didn't hear drake croon
Wobble Dee wobble dee at the end


Side note drop it like its hot
Off of the block is hot is my ****
"U can hurt me hurt me
Sex me sex me
And afta he finish
Next me next me
Work it
Jerk it
Beat it
Hold it
Grab it
I need it
Eat it
Beat it
Silly rabbit
Whoo-hah
Stuffed ya in ***
Got this thing up in ya
Like a snake in the grass"

 

[broncos19dm]

Can't wait 

 

[301216baller]

Practice was appreciated for what it was. College girls at the time, who probably didn't get their twerking in when BDAU because they were too young, were given the opportunity to unleash their inner thot at house parties. Sonically it wasn't all that, but I can't knock what it did for the culture.

I can Honestly say I've never heard practice at a party....the lyrics are kinda suspect forreal

 

[antidope]

But I've specifically said that Drake is the only dude out consistently putting out good R&B music which is a shame cause he doesn't spent all his energy in that genre.

 

[wavycrocket]

Practice was appreciated for what it was. College girls at the time, who probably didn't get their twerking in when BDAU because they were too young, were given the opportunity to unleash their inner thot at house parties. Sonically it wasn't all that, but I can't knock what it did for the culture.

I was just about to say.....you can't appreciate "Practice"..until you have some 21 year old chick grind at you in a dark corner of a house party to it.

Oh boy. Jazzy Pha voice.

 

[Hahahaha]

Drake doesn't make R&B music. He attempts to sing and he's not good at it. Ja Rule was never considered R&B, he was pop. Just like Drake makes pop.


I don't know if Juvenile owns that song. Baby might have just said yes and that was it or Juvenile said yes in hopes of getting a feature. Either way, I was mad disappointed in Juvenile for allowing that ****.

 

[a blinkin]

I can Honestly say I've never heard practice at a party....the lyrics are kinda suspect forreal

My heart goes out to you fam.

When ol girl grinding slow on you and then turns around to look you in the eye when dude says "you can even call me daddy give you someone to look up to"...

 

[antidope]

I never planned on listening to the OVO sounds radio. No time for this edited music talking in between the songs, with tags nonsense.