The Combat Jack Show Thread





Gonna be interesting if Mona and Flip actually leave. Don't see Joe's path to an Emmy with that dudecast.


:rollin I guess they no longer care if you got a voice for radio. Ice on Power would've been wicked :lol
 
Flip has mentioned him pivoting for some time now.

He's been better lately but I'm cool with Mona leaving
 
Damn Jim is really delusional.

I heard Cudi's Day N Night before Jim's. Didn't **** with either. Why he so desperately trying to revise history to make it seem like he had some important impact or influence to hip hop?
 


Auto tune microphones really ****** up the game, because you don't even have to have the ability to sing live.
 
If that’s the case R&B should’ve been ****** up in the 70s and never made it to the 90s.

The tech always existed. In the modern day the 2 artists that made auto tune popular is an R&B artist that can sing very well but felt he needed the gimmick and a rapper that doesn’t even write their own rhymes.

Unlike rap, where there just seems to be way more ppl hustling to get in, R&B artists and groups simply ain’t getting that support from labels anymore unless they’re obvious stars and make hits. So the 2 types are the few who are stars and get all the label support and singers who actually write their own music and play instruments and a lot of them ain’t trying to sign bad contracts.

Labels are still predatory but don’t really develop artists and new artists with some business sense ain’t willing to get jerked or they don’t have perceived star power so they only get paid for writing songs.
 
If that’s the case R&B should’ve been ****** up in the 70s and never made it to the 90s.

The tech always existed. In the modern day the 2 artists that made auto tune popular is an R&B artist that can sing very well but felt he needed the gimmick and a rapper that doesn’t even write their own rhymes.

Unlike rap, where there just seems to be way more ppl hustling to get in, R&B artists and groups simply ain’t getting that support from labels anymore unless they’re obvious stars and make hits. So the 2 types are the few who are stars and get all the label support and singers who actually write their own music and play instruments and a lot of them ain’t trying to sign bad contracts.

Labels are still predatory but don’t really develop artists and new artists with some business sense ain’t willing to get jerked or they don’t have perceived star power so they only get paid for writing songs.

The tech from Zapp and Roger to Teddy Riley to now are totally different.
 
The tech from Zapp and Roger to Teddy Riley to now are totally different.
The tech is the same just more advanced. It’s the same application.

Only change is more ppl who lack certain talents are willing to use it and the sound and style of music has changed enough to where it’s more accepted.
 
The tech is the same just more advanced. It’s the same application.

Only change is more ppl who lack certain talents are willing to use it and the sound and style of music has changed enough to where it’s more accepted.

The tech isn't the same though.

Now the tech exist that turns a non-singer into a singer.It adjust the pitch and correct the notes. Teddy Riley didn't become a singer.

 
The tech isn't the same though.

Now the tech exist that turns a non-singer into a singer.It adjust the pitch and correct the notes. Teddy Riley didn't become a singer.


Like I said more ppl who lack certain talents (like singing) are willing and accepted to use that advanced tech and have a career.

Giveon is still a songwriter and ppl have accepted that voice and gimmick.
 
I'm not surprised Corey did that. I been listening to 5150 for 10 years he be talking about hitting women in a serious tone all the time. He's a known dirtbag. He talks crazy about his own kids. It's nothing for him to crazy about Anton's kids.
 
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Parks giving Karl Malone bail on that topic was nasty. Some teens can look older than their age but a 12 year old? Nah.
 
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