- Jun 23, 2009
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Bunch of pics to the concerts I went to during last month.
(La Roux, Lily Allen, The Black Keys, Meth and Red, and Kimbra.)
(La Roux, Lily Allen, The Black Keys, Meth and Red, and Kimbra.)
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Just saw the Letterman performance...wow....mad real. A lot of respect to Cole to use that platform to promote this instead of his own album.
Video on YT for anyone who hasn't seen it.
Head here to cop your tickets, with two different packages to choose from.A limited run of early bird tickets are now available for $66, which gets you access to all Dilla Day Weekend events and concerts (note some concerts are 21+).
In addition to performances, there will be producer panels, BBQs, artist meet and greets, and other Dilla-related events. "Dilla's music is timeless and lives in all of us," explains Ma Dukes. "I expect Miami to become the icon of event holders for the Dilla legacy, and raise the bar for events globally."
Game, Ice Cube & Dr. Dre, maybe a collabo on the way?![]()

DJ Premier - (Turntables)
Brady Watt - (Bass)
Lenny "The Ox" Reece - (Drums)
Takuya Kuroda - (Horns and Keys)
Corey King - (Trombone and Keys)
That beat became known as "The Time Is Now."“I remember John saying that he wanted something that sounded like the theme from Rocky,” says [Marc] Predka [John Cena's cousin]. “We put a bunch of CDs full of beats we received in a five-disc changer and kept pressing ‘play-change-play-change-play-change.’ But as soon as we heard the beats Jake One had put together, we said ‘Oh my God, this is it!’ We stopped and decided that it wasn’t even worth going through the rest of the beats we received at that point.”
...but back in 2004, he was a hungry young producer looking to take any work he could get. When Cena approached him looking for some entrance music, he was more than happy to contribute.
“I wasn’t a wrestling fan at that point,” says Jake One. “I didn’t really understand the depth of what was going on until WWE said it was going to be his theme song. I didn’t know he was going to be the champion or anything like that.”
The tracks that included the Schofield horn sample weren't even originally meant for Cena. “I made the beats initially to give them to Ghostface Killah,” Jake One says. “But I didn’t have the conviction at that point to present them to him.”